While I would like to insist that the tactile reigns
supreme as I press, stitch, fold and cut, the Internet does
play a supplemental role in my sewing experience.
community and in turn keeping crafting close to its folk roots.
“[The] Internet has been the most influential part of why hand-
made and craft has had a resurgence,” Levine says. One of my favor-
ite blogs, Twelve Square, is a perfect example of this integration.
What was once an analog quilting bee is now a blog and virtual quilt-
ing bee that follows 12 women making 12 quilts in 12 months. A link
to their Flickr site will bring you to a complete photo album of the
project. It is obvious that despite our desire for a digital respite,
crafts have become inextricably linked to the Internet.
I suppose if I were laboring over that same prom dress today
I might upload images to my Flickr or Facebook pages and let my
crafting comrades ogle at, or rather fashion-police my creation and
give me tips on better construction and cheaper materials. Maybe
I would even tweet how profoundly tedious it was to stitch one
stone after the next, hour after hour. I am an analog girl at heart, so
sometimes amid all this technology I get nostalgic about my grand-
mother and her sewing circle. Is mine bound to exist in cyberspace?
Probably so, but I embrace that. It is all part of the paradigm shift.
It is a continuation of what I, and other crafters, wanted to make
of our reinterpretation of this age-old tradition. When I first began
sewing I had a mission of redefinition: Changing the craft from
what my grandmother did with it and what my mother thought of it.
This felt right, and it still does.
Meribah K night is a Chicago-based freelance journalist. An essay about
sewing through three generations o f women in herfamily is featured
in the December issue o f O
Magazine.
meribahknight.com
asg.org; etsy.com; bigcartel.com; whipup.net; knitty.com;
craftster.org/blog; burdasude.com/blog; getcrafty.com/blogs;
twelvebytwelvequiltbee.blogspot.com
dec/jan 10 american craft 051
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